Oceania

KORIAM’S LAW is set in the Jacquinot Bay area of Papua New Guinea’s East New Britain Province. Here the Aus­tralian anthro­pol­o­gist Andrew Lattas meets the philoso­pher-infor­mant Peter Avarea of Matong vil­lage, Pomio. Moti­vat­ed by their dialogs, the film sets out to put the often mis­un­der­stood cul­tur­al phe­nom­e­na, the “cargo-cult” in a uni­ver­sal­is­ing light.

The Pomio Kivung Move­ment was found­ed in 1964 by a local leader called Koriam. In the face of offi­cial con­dem­na­tion its polit­i­cal and reli­gious phi­los­o­phy sought to uncov­er that path to a per­fect exis­tence which the colonis­ing whites seemed to have found and self­ish­ly monop­o­lised. Kivung lead­ers scru­ti­nised the rev­e­la­tions of mis­sion­ar­ies for hidden truths and codes. They exam­ined, too, formes of colo­nial gov­er­nance - espe­cial­ly money and bureau­cra­cy for clues to the source of their power. Koriam’s cen­tral prob­lem was how to find a way back from the orig­i­nal ances­tral fault that surely put his people in this sub­ju­gat­ed state in the first place. He incor­po­rat­ed parts of Chris­tian­i­ty whilst seek­ing an ever closer embrace of the beloved dead, implor­ing them to hasten their return so that the depri­va­tions and humil­i­a­tions of racial inequal­i­ty might end. KORIAM’S LAW con­cerns itself with the con­tem­po­rary works and under­stand­ings of the Pomio Kivung. The movement’s lead­ers are keen to show its mis­sion is to pre­pare the way for the devout­ly wished “change” and, at the same time, to organ­ise for a better soci­ety in the here an now. 

Told by a sort of inti­mate voice, the film is the nar­ra­tive of eth­nol­o­gist Stéphane Breton’s last trip to a small coun­try in the New Guinea high­lands, where he used … read more

Silent movie with musi­cal accom­pa­ni­ment by Günter A. Buchwald In the wake of the raging suc­cess of his first fea­ture-length docu­d­ra­ma NANOOK OF THE NORTH, Para­mount Pic­tures com­mis­sioned R. J. … read more

Sima Urale’s film O TAMAITI por­trays dif­fi­cul­ties expe­ri­enced by Poly­ne­sian people migrat­ing to Aotearoa New Zealand. Through an explo­ration of her own Samoan cul­ture, Urale address­es issues of finan­cial hard­ship … read more

PARADISE BENT is one of the first cin­e­mat­ic con­sid­er­a­tions of Samoan fa’afafines-male chil­dren who are raised to be women. The film doc­u­ments how in large Samoan fam­i­lies there may be … read more

Viki, a sen­si­tive Rotu­man girl lis­tens intent­ly to her father who is telling her the story of the myth­i­cal first inhab­i­tant of the island, the “War­rior Woman”. With her strength … read more

TWO CARS, ONE NIGHT is a tale of first love. Romeo and his broth­er, Ed, sit in the car wait­ing for their par­ents to come out of the pub. This … read more