Current Films

After a lengthy and dev­as­tat­ing civil war in the Demo­c­ra­t­ic Repub­lic of Congo (DRC), the cap­i­tal city of Kin­shasa is rebuild­ing. Through the eyes of three civic work­ers strug­gling to … read more

Every day huge trucks thun­der through the Kyrgyz vil­lage of Barskoon. They are car­ry­ing a deadly freight: cyanide, which is used to extract gold at the nearby Kumtor mine. In … read more

Faced with dimin­ish­ing returns on his har­vest, a poor young farmer in Myan­mar pawns his cow for a moped and seeks alter­na­tive income as a taxi driver. Among his first … read more

It took Mehran Tamadon two years to con­vince four Shia cler­ics to take part in an unusu­al dia­logue. The film­mak­er, who lives in Paris, used his family’s idyl­lic coun­try house … read more

Renowned ethno­graph­ic film­mak­ers David and Judith Mac­Dougall explore the many mean­ings of pho­tog­ra­phy in this pro­found and pen­e­trat­ing doc­u­men­tary. The film focus­es on the pho­tog­ra­phers of Mus­soorie, a hill sta­tion … read more

Four people recount­ing their expe­ri­ences in Egypt: The owner of the largest col­lec­tion of photo neg­a­tives in the coun­try, a Coptic polit­i­cal activist, an elder­ly social­ist writer, and a younger … read more

TALES depicts a coura­geous and honest image of today’s Iran­ian soci­ety and its recent issues, cov­er­ing sub­jects like stu­dents’ and work­ers’ move­ments as well as many others. The char­ac­ters, which include film­mak­ers, work­ers, intel­lec­tu­als, state employ­ees, social work­ers, etc., have one thing in common. They are all pas­sion­ate and in love. TALES, in fact, is a love story of moth­ers and sons, hus­bands and wives, and men and women whose love and pas­sion give them the hope to over­come their dif­fi­cul­ties, whether these dif­fi­cul­ties are the uni­ver­sal strug­gles of the society’s lower ranks, or any other social or emo­tion­al issue. So they find the power to con­tin­ue their fights for a better life, ending in enjoy­ing one that is bright­ened by love.

 

„After three decades of film­mak­ing the char­ac­ters of my doc­u­men­tary and fea­ture films are still alive to me and I live with them. GHESSE-HA is return­ing to the char­ac­ters of my pre­vi­ous films under today’s cir­cum­stances.” (Rakhshan Bani-Etemad)

In a Lau­sanne hous­ing block with 80 ten­ants who have multi-lin­gual names that the mail­man will never be able to remem­ber, the renters from many dif­fer­ent nations share four wash­ing … read more

From the 16th cen­tu­ry the Indian vil­lage of Del­wara in south­ern Rajasthan was ruled as a prin­ci­pal­i­ty of the king­dom of Mewar. Its palace, which over­looks the vil­lage, is now … read more